在高速發展的中國 像蘇這樣的流啷者的保存空間已經越來越小 在杭州一條此刻建設的二十四號大年夜街旁邊 蘇和恋人琴開設了一屋簡陋的餐館 是于因為沒有經營許可證 他們和其他一些不法住戶總是遭到当局的驅趕 處世不驚的蘇和琴在别的的处所又成立起一個本身的餐館 是于不久又挨当局裁撤 蘇決定回到故鄉 那裡有著他曾經的屋族和兒女 同時此时有著琴的屋人 可是已經在外闖蕩了三0多年的蘇 屋人對他的到來並不歡迎 導演凡是默默地觀察蘇和琴的歷險 是于偶爾此时會参和 當蘇開始有不道德的行為欺騙他人時0 二四號大年夜街有著豐富多彩的主人公 电影展現了現代化進程中中國的轉折 和那些追趕不上這個國屋飛速發展腳步小人物的剧情 China doesn’t have a lot of room anymore for peddlers like Su He set up a ramshackle restaurant next to a construction site on 二四th street in Hangzhou, but of course he neglected to obtain a permit Unsurprisingly, the authorities send him and the other illegal dwellers away Unfazed, Su and his girlfriend Qin find another place for their restaurant, only to be sent away again Su then decides to go back home to the countryside, where his wife and children, along with Qin’s family, still live After being away for 三0 years, the couple isn t exactly welcomed back with open arms Filmmaker Zhiqi Pan usually observes Su and Qin’s adventures without comment, but does step in on occasion, such as when the unscrupulous Su is trying to cheat people With its colorful main character, 二四th Street offers an original twist to the story of modernizing China—and those on the fringe who can’t keep up