p 　　Salomé 一九二三 , a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist here, as in Wilde 三九 s play, called Jokaanan at the request of his stepdaughter, Salomé, whom he lusts after br 　　Salomé is often called one of the first art films to be made in the U S citation needed The highly stylized costumes, exaggerated acting even for the period , minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters 三九 individual heightened desires than on conventional plot development br 　　Despite the film being only a little over an hour in length and having no real action to speak of, it cost over 三五0,000 to make All the sets were constructed indoors to be able to have complete control over the lighting The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde 三九 s play The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards br 　　No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor It was a complete failure at the time and marked the end of Nazimova 三九 s producing career br 　　A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova 三九 s demand It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them What can be said is that Nazimova herself was a lesbian, the two guard characters who, next to Salomé, have the most screen time are at least played very stereotypically gay, and several of the female courtiers are men in drag br 　　Salomé was screened in 一九八九 at the New York International Festival of Lesbian and Gay films and in 一九九0 at the New York Gay Experimental Film Festival br 　　In 二000, the United States Library of Congress deemed the film quot culturally significant quot and selected it for preservation in the National Film Registry p