It Is Not the Homosexual Who Is Perverse, But the Society in Which He Lives Nicht der Homosexuelle ist pervers, sondern die Situation, in der er lebt is the earnest title of Rosa von Praunheim’s 一九七一 PG-chaste first feature, which has aged like good cheese from a scandalous sensation a political wakeup call to gays into a textbook example of classic camp—and a delightful time warp trip through queer cliché The very colorful color film shot MOS opens with von Praunheim’s camera trailing two fags—one blonde, one brunette—walking down a sunny Berlin street Daniel, the shy brunette, is new to the big city and blonde Clemens is generously offering him a place to stay We know this by the heavily German-accented English, dubbed and spoken in a Sprockets” cadence