p 　　The film accompanies Magaye Niyang, a star of Touki-Bouki, a 一九七二 classic directed by her own uncle Djibril Diop Following this path, we are witness of Niyang travel to a special screening of the film, which has a public release in his old town Niyang seems detached and with a heavy longing from the past, and therefore, the film debris permeates everything with unescapable sorrow and fascination br 　　Diop film is, first and foremost, a nostalgic travel through memory, time and recreation It is also a watermark in contemporary experimental documentary, a very intimate portrait of a lost long journey through the past that isn’t returning anymore, a detachment of rejected fame, recognition and connection which is heavily grounded on a legacy that belongs to the past, and that connects directly to a country Senegal and its heritage, which is sometimes feel excruciating for the old ones a testimony such as the taxi scene in the film, where the cab driver longs for changes, and claims that the old generation had done nothing for that br 　　Mille Soleils A Thousand Suns and, in itself, Mati Diop’s crucial talent, should be a point of reference into what could easily be one of the most interesting proposals of hybrid documentary cinema which has come from France, and which deals with a strong African heritage Since 三五 Rhums, where she proved her actress talent, Diop seems like a true promise for the following years of cinema p